Debut LP by the new creepy and romantic basement organ project of Romain Perrot (VOMIR, FREE AS DEAD, FALOT, RORO PERROT).
The other night I dreamt about a parallel universe in which Klaus Schulze had some sort of government-paid job installing contact mics and analog synths (which I suspect was mainly to annoy Tangerine Dream) in all the big European cathedrals to modernize the pipe organs. I told him how they used to make cobwebs in the early Dracula movies; you punch a small hole in a yogurt pot full of liquid latex attached to an electric drill, point roughly where you want the cobwebs to go, shut your eyes and hit the trigger. This got ol' Klaus drooling, and pretty soon every church (not to mention cemetery) ceiling in France was dripping with stringy latex goo. He also decided to add more gargoyles (inside, on the altar) and impose a black metal warpaint dress code for Sunday mass. Roro worked part-time as the Hunchback (every church had their own, so as well as Notre Dame there was The Hunchback of The Sistine Chapel, The Hunchback of Unarius, and even, controversially, The Hunchback of Scientology) and also hung out in front of Pere Lachaise trying to get people to sign a petition to change the name of the cemetery to The Dario Argento Museum. Reclusiveness aside, Romain and I sometimes like to meet up near Notre Dame at a Japanese restaurant run by one of the members of Les Legions Noire, serving necro-sushi and so on... One sunny afternoon, sighing as he removed the fake Quasimodo teeth and the cushion stuffed into the back of his shirt, he handed me the new Trou Au Rats LP, cursing the backache which was the result of his job. Give this to Klaus he said, in a deep voice a few octaves lower than usual. Now, dear reader, let me assure you, I don't know and I don't want to know what kind of entities he'd done deals with in his basement catacomb, but a few days after Klaus heard that album, Roro got to lay down his hunch for the last time, and scored his dream job as full-time organist. Mind you, dream job or not, he does still have to wear the plastic vampire fangs, somehow managing to remain the perfect gentleman, even if they do make him talk funny. Now, if you are aware of his other projects (Vomir being one), chez Roro there's no such thing as a coincidence, and there's always a lot more going on that meets the eye... That might explain why, shortly after his promotion to organist, as if by majic(k), weird record shops called things like Bimbo Tower 2 started opening up all over Europe in the tiny streets round the backs of cathedrals or near to old cemeteries (and even inside pyramids, or so I was told), right next to where the crazy old witches sell gory upside-down crucifixion dioramas and Free As Dead tshirts in the most happenin' European cities. Which must be why you are reading this right now. Hails. -Andy Bolus (Evil Moisture, Royal Sperm) Paris Jan 2018.
Andy Bolus (Evil Moisture, Royal Sperm) - Paris - January 2018
- Amour et sepulcre 1
- Amour et sepulcre 2
- Amour et sepulcre 3
- Amour et sepulcre 4
- Amour et sepulcre 5
TROU AUX RATS - Amour et Sépulcre